THE LOVELY LADY

Date: 2015-10-07; view: 466.

At seventy-two, Pauline Attenborough could still sometimes be mistaken, in the half-light, for thirty. She really was a won­derfully preserved woman, of perfect chic. Of course, it helps a great deal to have the right frame. She would be an exquisite skeleton, and her skull would be an exquisite skull, like that of some Etruscan woman, with feminine charm still in the swerve of the bone and the pretty naive teeth. Mrs. Attenborough's face was of the perfect oval, and slightly flat type that wears best. There is no flesh to sag. Her nose rode serenely, in its finely bridged curve. Only her big grey eyes were a tiny bit prominent on the surface of her face, and they gave her away most. The bluish lids were heavy, as if they ached some-times with the strain of keeping the eyes beneath them arch and bright; and at the corners of the eyes were fine little wrinkles which would slacken with haggardness, then be pulled up tense again, to that bright, gay look like a Leonardo woman who really could laugh outright.

Her niece Cecilia was perhaps the only person in the world who was aware of the invisible little wire which connected Pauline's eye-wrinkles with Pauline's will-power. Only Cecilia consciously watched the eyes go haggard and old and tired, and remain so, for hours; until Robert came home. Then ping! — the mysterious little wire that worked between Pauline's will and her face went taut, the weary, haggard, prominent eyes sud­denly began to gleam, the eyelids arched, the queer curved eye­brows which floated in such frail arches on Pauline's forehead began to gather a mocking significance, and you had the real lovely lady, in all her charm.

She really had the secret of everlasting youth; that is to say, she could don her youth again like an eagle. But she was sparing of it. She was wise enough not to try being young for too many people. Her son Robert, in the evenings, and Sir Wilfred Knipe sometimes in the afternoon to tea: then occasional visitors on Sunday, when Robert was home: for these she was her lovely and changeless self, that age could not wither, nor custom stale: so bright and kindly and yet subtly mocking, like Mona Lisa, who knew a thing or two. But Pauline knew more, so she needn' t be smug at all, she could laugh that lovely mocking Bacchante laugh of hers, which was at the same time never malicious, al­ways good-naturedly tolerant, both of virtues and vices. The former, of course, taking much more tolerating. So she suggest­ed, roguishly. Only with her niece Cecilia she did not trouble to keep up the glamour. Ciss was not very observant, anyhow: and more than that, she was plain: more still, she was in love with Robert: and most of all, she was thirty, and dependent on her Aunt Pauline. Oh, Cecilia! Why make music for her!

Cecilia, called by her aunt and by her cousin Robert just Ciss, like a cat spitting, was a big dark-complexioned, pug-faced young woman who very rarely spoke, and when she did, couldn't get it out. She was the daughter of a poor Congregational minister who had been, while he lived, brother to Ronald, Aunt Pauline's husband. Ronald and the Congregational minister were both well dead, and Aunt Pauline had had charge of Сiss for the last five years.

They lived all together in a quite exquisite though rather small Queen Anne house some twenty- five miles out of town, secluded in a little dale, and surrounded by small but very quaint and pleasant grounds. It was an ideal place and an ideal life for Aunt Pauline, at the age of seventy-two.

When the kingfishers flashed up the little stream in the gar­den, going under the alders, something still flashed in her heart. She was that kind of woman.

Robert, who was two years older than Ciss, went every day to town, to his chambers in one of the Inns. He was a barrister, and, to his secret but very deep mortification, he earned about a hundred pounds a year. He simply couldn't get above that fig­ure, though it was rather easy to get below it. Оf course, it didn' t matter. Pauline had money. But then what was Pauline's was Pauline's, and though she could give almost lavishly, still, one was always aware of having a lovely and undeserved present made to one: presents are so much nicer when they are unde­served, Aunt Pauline would say. Robert too was plain, and almost speechless. He was medi­um-sized, rather broad and stout, though not fat. Only his creamy clean-shaven face was rather fat, and sometimes sug­gestive of an Italian priest in its silence and its secrecy. But he had grey eyes like his mother, but very shy and uneasy, not bold like hers. Perhaps Ciss was the only person who fathomed his awful shyness and malaise, his habitual feeling that he was in the wrong place: almost like a soul that has got into the wrong body. But he never did anything about it. He went up to his chambers and read law. It was, however, all the weird old pro­cesses that interested him. He had, unknown to everybody but his mother, a quite extraordinary collection of old Mexican le­gal documents, reports of processes and trials, pleas, accusa­tions, the weird and awful mixture of ecclesiastical law and com­mon law in seventeenth-century Mexico. He had started a study in this direction through coming across a report of a trial of two English sailors for murder, in Mexico in 1620, and he had gone on, when the next document was an accusation against a Don Miguel Estrada for seducing one of the nuns of the Sacred Heart Convent in Oaxaca in 1680.

Pauline and her son Robert had wonderful evenings with these old papers. The lovely lady knew a little Spanish. She even looked a trifle Spanish herself, with a high comb and a marvellous dark brown shawl embroidered in thick silvery silk embroidery. So she would sit at the perfect old table, soft as velvet in its deep brown surface, a high comb in her hair, ear-rings with drop­ping pendants in her ears, her arms bare and still beautiful, a few strings of pearls round her throat, apuce velvet dress on and this or another beautiful shawl, and by сandle-light she looked, yes, a Spanish highbred beauty of thiкfy-two or three. She set the candles to give her face just the chiaroscuro she knew suited her; her high chair that rose behind her face was done in old green brocade, against which her face emerged like a Christmas rose. They were always three at table; and they always drank a bottle of champagne: Pauline two glasses, Ciss two glasses, Rob­ert the rest. The lovely lady sparkled and was radiant. Ciss, her black hair bobbed, her broad shoulders in a very nice and becoming dress that Aunt Pauline had helped her to make, stared from her aunt to her cousin and back again, with rather confused, mute, hazel eyes, and played the part of an audience suit­ably impressed. She was impressed, somewhere, all the time, and even rendered speechless by Pauline's brilliancy, even af­ter five years. But at the bottom of her consciousness were the data of as weird a document as Robert ever studied: all the things she knew about her aunt and cousin Robert was always a gen­tleman, with an old-fashioned punctilious courtesy that covered his shyness quite completely. He was, and Ciss knew it, more confused than shy. He was worse than she was. Cecilia's own confusion dated from only five years back — Robert's must have started before he was born. In the lovely lady's womb he must have felt very confused.

He paid all his attention to his mother, drawn to her as a humble flower to the sun. And yet, priest-like, he was all the time aware, with the tail of his consciousness, that Ciss was there, and that she was a bit shut out of it, and that something wasn' t right. He was aware of the third consciousness in the room. Whereas to Pauline, her niece Cecilia was an appropriate part of her own setting, rather than a distinct consciousness.

Robert took coffee with his mother and Ciss in the warm draw­ing-room, where all the furniture was so lovely, all collectors' pieces — Mrs. Attenborough had made her own money, dealing privately in pictures and furniture and rare things from barbar­ic countries — and the three talked desultorily till about eight or half past. It was very pleasant, very cosy, very homely even: Pauline made a real home cosiness out of so much elegant mate­rial. The chat was simple, and nearly always bright. Pauline was her real self, emanating a friendly mockery and an odd, ironic gaiety, till there came a little pause.

At which Ciss always rose and said good night and carried out the coffee-tray, to prevent Burnett from intruding any more. And then! Oh, then, the lovely glowing intimacy of the evening, between mother and son, when they deciphered manu­scripts and discussed points, Pauline with that eagerness of a girl, for which she was famous. And it was quite genuine. In some mysterious way she had saved up her power for being thrilled, in connexion with a man. Robert, solid, rather quiet and subdued, seemed like the elder of the two: almost like a priest with a young girl pupil. And that was rather how he felt.

Ciss had a flat for herself just across the courtyard, over the old coach-house and stables. There were no horses. Robert kept his car in the coach-house. Ciss had three very nice rooms up there, stretching along in a row one after another, and she had got used to the ticking of the stable clock.

But sometimes she did not go up to her rooms. In the summer she would sit on the lawn, and from the open window of the drawing-room upstairs she would hear Pauline's wonderful heart-searching laugh. And in the winter the young woman would put on a thick coat and walk slowly to the little balustraded bridge over the stream, and then look back at the three lighted windows of that drawing-room where mother and son were so happy together.

Ciss loved Robert, and she believed that Pauline intended the two of them to marry: when she was dead. But poor Robert, he was so convulsed with shyness already, with man or woman. What would he be when his mother was dead — in a dozen more years? He would be just a shell, the shell of a man who had never lived. The strange unspoken sympathy of the young with one an­other, when they are overshadowed by the old, was one of the bonds between Robert and Ciss. But another bond, which Ciss did not know how to draw tight, was the bond of passion. Poor Robert was by nature a passionate man. His silence and his ag­onized, though hidden, shyness were both the result of a secret physical passionateness. And how Pauline could play on this! Ah, Ciss was not blind to the eyes which he fixed on his mother, eyes fascinated yet humiliated, full of shame. He was ashamed that he was not a man. And he did not love his mother. He was fascinated by her. Completely fascinated. And for the rest, pa­ralysed in a life-long confusion.

Ciss stayed in the garden till the lights leapt up in Pauline's bedroom — about ten o'clock. The lovely lady had retired. Rob­ert would now stay another hour or so, alone. Then he too would retire. Ciss, in the dark outside, sometimes wished she could creep up to him and say: "Oh, Robert! It's all wrong! "But Aunt Pauline would hear. And, anyhow, Ciss couldn't do it. She went off to her own rooms once more, and so for ever.

In the morning coffee was brought up on a tray to each of the three relatives. Ciss had to be at Sir Wilfred Knipe's at nine o'clock, to give two hours' lessons to his little granddaughter. It was her sole serious occupation, except that she played the piano for the love of it. Robert set off to town about nine. And, as a rule, Aunt Pauline appeared at lunch, though sometimes not until tea-time. When she appeared, she looked fresh and young. But she was inclined to fade rather quickly, like a flower with­out water, in the day-time. Her hour was the candle hour.

So she always rested in the afternoon. When the sun shone, if possible she took a sun-bath. This was one of her secrets. Her lunch was very light, she could take her sun-and-air-bath be­fore noon or after, as it pleased her. Often it was in the after­noon, when the sun shone very warmly into a queer little yew-walled square just behind the stables. Here Ciss stretched out the lying-chair and rugs, and put the light parasol in the silent little enclosure of thick dark yew hedges beyond the red walls of the unused stables, and hither came the lovely lady with her book. Ciss then had to be on guard in one of her own rooms, should her aunt, who was very keen-eared, hear a footstep.

One afternoon it occurred to Cecilia that she herself might while away this rather long afternoon by taking a sun-bath. She was growing restive. The thought of the flat roof of the stable buildings to which she could climb from a loft at the end, start­ed her on a new adventure. She often went on to the roof: she had to, to wind up the stable clock, which was a job she had assumed to herself. Now she took a rug, climbed out under the heavens, looked at the sky and the great elm-tops, looked at the sun, then took off her things and lay down perfectly serenely, in a corner of the roof under the parapet, full in the sun.

It was rather lovely, to bask all one's length like this in warm sun and air. Yes, it was very lovely! It even seemed to melt some of the hard bitterness of her heart, some of that core of unspo­ken resentment which never dissolved. Luxuriously, she spread herself, so that the sun should touch her limbs fully, fully. If she had no other lover, she should have the sun! She rolled volup­tuously. And suddenly her heart stood still in her body, and her hair almost rose on end as a voice said very softly, musingly in her ear:

"No, Henry dear! It was not my fault you died instead of marrying that Claudia. No, darling. I was quite, quite willing for you to marry her, unsuitable though she was."

Cecilia sank down on her rug powerless and perspiring with dread. That awful voice, so soft, so musing, yet so unnatural. Not a human voice at all. Yet there must, there must be some­one on the roof! Oh! How unspeakably awful!

She lifted her weak head and peeped across the sloping leads. Nobody! The chimneys were far too narrow to shelter anybody. There was nobody on the roof. Then it must be someone in the trees, in the elms. Either that, or terror unspeakable, a bodiless voice! She reared her head a little higher. And as she did so, came the voice again: "No, darling! I told you you would tire of her in six months. And you see, it was true, dear. It was true, true, true! I wanted to spare you that. So it wasn't I who made you feel weak and disabled, wanting that very silly Claudia; poor thing, she looked so woebegone afterwards! Wanting her and not wanting her, you got yourself into that perplexity, my dear. I only warned you. What else could I do? And you lost your spirit and died without ever knowing me again. It was bitter, bitter — "

The voice faded away. Cecilia subsided weakly on to her rug, after the anguished tension of listening. Oh, it was awful. The sun shone, the sky was blue, all seemed so lovely and afternoony and summery. And yet, oh, horror! — she was going to be forced to believe in the supernatural! And she loathed the supernatu­ral, ghosts and voices and rappings and all the rest.

But that awful creepy bodiless voice, with its rusty sort of whisper of an overtone! It had something so fearfully familiar in it too! and yet was so utterly uncanny. Poor Cecilia could only lie there unclothed, and so all the more agonizingly helpless, inert, collapsed in sheer dread.

And then she heard the thing sigh! A deep sigh that seemed weirdly familiar, yet was not human. "Ah, well; ah, well, the heart must bleed! Better it should bleed than break. It is grief, grief! But it wasn't my fault, dear. And Robert could marry our poor dull Ciss tomorrow, if he wanted her. But he doesn't care about it, so why force him into anything!" The sounds were very uneven, sometimes only a husky sort of whisper. Listen! Listen! Cecilia was about to give vent to loud and piercing screams of hysteria, when the last two sentences arrested her. All her cau­tion and her cunning sprang alert. It was Aunt Pauline! It must be Aunt Pauline, practicing ventriloquism or something like that! What a devil she was!

Where was she? She must be lying down there, right below where Cecilia herself was lying. And it was either some fiend's trick of ventriloquism, or else thought transference that con­veyed itself like sound. The sounds were very uneven. Some­times quite inaudible, sometimes only a brushing sort of noise. Ciss listened intently. No, it could not be ventriloquism. It was worse, some form of thought transference. Some horror of that sort. Cecilia still lay weak and inert, terrified to move, but she was growing calmer with suspicion. It was some diabolic trick of that unnatural woman. But what a devil of a woman! She even knew that she, Cecil­ia, had mentally accused her of killing her son Henry. Poor Henry was Robert's elder brother, twelve years older than Robert. He had died suddenly when he was twenty- two, after an awful strug­gle with himself, because he was passionately in love with a young and very good-looking actress, and his mother had humorously despised him for the attachment. So he had caught some sudden ordinary disease, but the poison had gone to his brain and killed him before he ever regained consciousness. Ciss knew the few facts from her own father. And lately she had been thinking that Pauline was going to kill Robert as she had killed Henry. It was clear murder: a mother murdering her sensitive sons, who were fascinated by her: the Circe!

"I suppose I may as well get up," murmured the dim, un-breaking voice. "Too much sun is as bad as too little. Enough sun, enough love thrill, enough proper food, and not too much of any of them, and a woman might live for ever. I verily believe for ever. If she absorbs as much vitality as she expends! Or per­haps a trifle more!"

It was certainly Aunt Pauline! How, how horrible! She, Ciss, was hearing Aunt Pauline's thoughts. Oh, how ghastly! Aunt Pauline was sending out her thoughts in a sort of radio, and she, Ciss, had to hear what her aunt was thinking. How ghastly! How insufferable! One of them would surely have to die.

She twisted and she lay inert and crumpled, staring vacantly in front of her. Vacantly! Vacantly! And her eyes were staring almost into a hole. She was staring into it unseeing, a hole going down in the corner from the lead gutter. It meant nothing to her. Only it frightened her a little more.

When suddenly out of the hole came a sigh and a last whis­per. "Ah, well! Pauline! Get up, it's enough for today!" Good God! Out of the hole of the rain-pipe! The rain-pipe was acting as a speaking-tube! Impossible! No, quite possible. She had read of it even in some book. And Aunt Pauline, like the old and guilty woman she was, talked aloud to herself. That was it!

A sullen exultance sprang into Ciss's breast. That was why she would never have anybody, not even Robert, in her bed­room. That was why she never dozed in a chair, never sat ab­sent-minded anywhere, but went to her room, and kept to her room, except when she roused herself to be alert. When she slackened off, she talked to herself! She talked in a soft little crazy voice to herself. But she was not crazy. It was only her thoughts murmuring themselves aloud.

So she had qualms about poor Henry! Well she might have! Ciss believed that Aunt Pauline had loved her big, handsome, brilliant first-born much more than she loved Robert, and that his death had been a terrible blow and a chagrin to her. Poor Robert had been only ten years old when Henry died. Since then he had been the substitute. All, how awful!

But Aunt Pauline was a strange woman. She had left her hus­band when Henry was a small child, some years even before Robert was born. There was no quarrel. Sometimes she saw her husband again, quite amicably, but a little mockingly. And she even gave him money.

For Pauline earned all her own. Her father had been a consul in the East and in Naples: and a devoted collector of beautiful and exotic things. When he died, soon after his grandson Henry was born, he lefl his collection of treasures to his daughter. And Pauline, who had really a passion and a genius for loveliness, whether in texture or form or colour, had laid the basis of her fortune on her father's collection. She had gone on collecting, buying where she could, and selling to collectors and to muse­ums. She was one of the first to sell old, weird African wooden figures to the museums, and ivory carvings from New Guinea. She bought Renoir as soon as she saw his pictures. But not Rousseau. And all by herself she made a fortune.

After her husband died, she had not married again. She was not even known to have had lovers. If she did have lovers, it was not among (he men who admired her most and paid her devout and open attendance. To these she was a "friend".

Cecilia slipped on her clothes and caught up her rug, hastened carefully down the ladder to the loft. As she descended she heard the ringing musical call: "All right, Ciss!" which meant that the lovely lady was finished, and returning to the house. Even her voice was marvellously young and sonorous, beautifully balanced and self-possessed. So different from the little voice in which she talked to herself. That was much more thevoice of an old wom­an.

Ciss hastened round to the yew enclosure, where lay the com­fortable chaise-longue with the various delicate rugs. Everything Pauline had was choice, to the fine straw mat on the floor. The great yew walls were beginning to cast long shadows. Only in the corner, where the rugs tumbled their delicale colours, was there hot, still sunshine.

The rugs folded up, the chair lifted away, Cecilia stooped to look at the mouth of the rain-pipe. There it was, in the corner, under a little hood of masonry and just projecting from the thick leaves of the creeper on the wall. If Pauline, lying there, turned her face towards the wall, she would speak into the very mouth of the hole. Cecilia was reassured. She had heard her aunt's thoughts indeed, but by no uncanny agency.

That evening, as if aware of something, Pauline was a liltle quicker than usual, though she looked her own serene, rather mysterious self. And after coffee she said to Robert and Ciss: "I'm so sleepy. The sun has made me so sleepy. I feel full of sunshine like a bee. I shall go to bed, if you don't mind. You two sit and have a talk."

Сесilia looked quickly at her cousin.

"Perhaps you would ralher he alone," she said to him.

"No, no," he replied. "Do keep me company for a while, if it doesn't bore you."

The windows were open, the scent of the honeysuckle wailed in with the sound of an owl. Robert smoked in silence. There was a sort of despair in the motionless, rather squat body. He looked like a caryatid bearing a weight.

"Do you remember Cousin Henry?" Cecilia asked him sud­denly.

He looked up in surprise.

"Yes, very well," he said.

"What did he look like?" she said, glancing into her cousin's big, secret-troubled eyes, in which there was so much frustra­tion.

"Oh, hewas handsome: tall and fresh-coloured, with moth­er's soft brown hair." As a matterof fact, Pauline's hair was grey. 'The ladies admired him very much; he was at all the danc­es."

"And what kind of character had he?"

"Oh, very good-natured and jolly. He liked to be amused. He was rather quick and clever, like mother, and very good com­pany."

"And did he love your mother?"

"Very much. She loved him too — better than she does me, as a matter of fact. He was so much more nearly her idea of a man."

"Why was he more her idea of a man?"

"Tall — handsome — attractive, and very good company — and would, I believe, have been very successful at law. I'm afraid I am merely negative in all those respects."

Ciss looked at him attentively, with her slow-thinking hazel eyes. Under his impassive mask, she knew he suffered.

"Do you think you are so much more negative than he?" she said.

He did not lift his face. But after a few moments he replied: "My life, certainly, is a negative affair." She hesitated before she dared ask him: "And do you mind?"

He did not answer her at all. Her heart sank. "You see, I am afraid my life is as negative as yours is," she said. "And I'm beginning to mind bitterly. I'm thirty." She saw his creamy, well-bred hand tremble. "I suppose," he said, without looking at her, "one will rebel when it is too late." That was queer, from him. "Robert," she said, "Do you like me at all?" She saw his dusky, creamy face, so changeless in its folds, go pale. "I am very fond of you," he murmured.

"Won't you kiss me? Nobody ever kisses me," she said pa­thetically.

He looked at her, his eyes strange with fear and a certain haughtiness. Then he rose and came softly over to her and kissed her gently on her cheek.

"It's an awful shame, Ciss!" he said softly. She caught his hand and pressed it to her breast. "And sit with me some time in the garden," she said, mur­muring with difficulty. "Won't you?"

He looked at her anxiously and searchingly. "What about mother?" he said.

Ciss smiled a funny little smile, and looked into his eyes. He suddenly flushed crimson, turning aside his face. It was a pain­ful sight.

"I know," he said, "I am no lover of women."

He spoke with sarcastic stoicism against himself, but even she did not know the shame it was to him.

"You never try to be!" she said.

Again his eyes changed uncannily.

"Does one have to try?" he said.

"Why, yes! One never does anything if one doesn't try."

He went pale again.

"Perhaps you are right," he said.

In a few minutes she left him and went to her room. At least, she had tried to take off the everlasting lid from things.

The weather continued sunny, Pauline continued her sun-baths, and Ciss lay on the roof eavesdropping in the literal sense of the word. But Pauline was not to be heard. No sound came up the pipe. She must be lying with her face away into the open. Ciss listened with all her might. She could just detect the faint­est, faintest murmur away below, but no audible syllable. And at night, under the stars, Cecilia sat and waited in si­lence, on the seat which kept in view the drawing-room win­dows and the side door into the garden. She saw the light go up in her aunt's room. She saw the lights at last go out in the draw­ing-room. And she waited. But he did not come. She stayed on in the darkness half the night, while the owl hooted. But she stayed alone.

Two days she heard nothing, her aunt's thoughts were not revealed and at evening nothing happened. Then the second night, as she sat with heavy, helpless persistence in the garden, suddenly she started. He had come out. She rose and went softly over the grass to him.

"Don't speak," he murmured.

And in silence, in the dark, they walked down the garden and over the little bridge to the paddock, where the hay, cut very late, was in cock. There they stood disconsolate under the stars.

"You see," he said, "how can I ask for love, if I don't feel any love in myself. You know I have a real regard for you — "

"How can you feel any love, when you never feel anything?" she said.

"That is true," he replied.

And she waited for what next.

"And how can I marry?" he said. "I am a failure even at making money. I can't ask my mother for money."

She sighed deeply.

"Then don't bother yet about marrying," she said. "Only love me a little. Won't you? "

He gave a short laugh.

"It sounds so atrocious, to say it is hard to begin," he said.

She sighed again. He was so stiff to move.

"Shall we sit down a minute," she said. And then as they sat on the hay, she added: "May I touch you? Do you mind? "

"Yes, I mind! But do as you wish," he replied, with that mix­ture of shyness and queer candour which made him a little ridic­ulous, as he knew quite well. But in his heart there was almost murder.

She touched his black, always tidy hair with her fingers.

"I suppose I shall rebel one day," he said again, suddenly.

They sat some time, till it grew chilly. And he held her hand fast, but he never put his arms round her. At last she rose and went indoors, saying good night.

The next day, as Cecilia lay stunned and angry on the roof, taking her sun-bath, and becoming hot and fierce with sunshine, suddenly she started. A terror seized her in spite of herself. It was the voice.

"Caro, caro, tu поп Vhai vistol" it was murmuring away, in a language Cecilia did not understand. She lay and writhed her limbs in the sun, listening intently to words she could not fol­low. Softly, whisperingly, with infinite caressiveness and yet with that subtle, insidious arrogance under its velvet, came the voice, murmuring in Italian: "Bravo, si molto bravo, poverino, ma uomo come te поп lo sara mai, mai, mai!" Oh, especially in Italian Cecilia heard the poisonous charm of the voice, so caressive, so soft and flexible, yet so utterly egoistic. She hated it with intensity as it sighed and whispered out of nowhere. Why, why should it be so delicate, so subtle and flexible and beautifully controlled, while she herself was so clumsy! Oh, poor Cecilia, she writhed in the afternoon sun, knowing her own clownish clumsiness and lack of suavity, in comparison.

"No, Robert dear, you will never be the man your father was, though you have some of his looks. He was a marvelous lover, soft as a flower, yet piercing as a humming-bird. No, Robert dear, you will never know how to serve a woman as Monsignor Mauro did. Cara, cara mia bellissima, ti ho aspettato come I'agonizzante aspetta la morte, morte deliziosa, quasi quasi troppo deliziosa per un'anima umana— Soft as a flower, yet probing like a humming-bird. He gave himself to a woman as he gave himself to God. Mauro! Mauro! How you loved me!"

The voice ceased in reverie, and Cecilia knew what she had guessed before, that Robert was not the son of her Uncle Ronald, but of some Italian.

"I am disappointed in you, Robert. There is no poignancy in you. Your father was a Jesuit, but he was the most perfect and poignant lover in the world. You are a Jesuit like a fish in a tank. And that Ciss of yours is the cat fishing for you. It is less edifying even than poor Henry."

Cecilia suddenly bent her mouth down to the tube, and said in a deep voice:

"Leave Robert alone! Don't kill him as well."

There was a dead silence, in the hot July afternoon that was lowering for thunder. Cecilia lay prostrate, her heart beating in great thumps. She was listening as if her whole soul were an ear. At last she caught the whisper:

"Did someone speak?"

She leaned again to the mouth of the tube.

"Don't kill Robert as you killed me," she said with slow enun­ciation, and a deep but small voice.

"Ah!" came the sharp little cry. "Who is that speaking?"

"Henry!" said the deep voice.

There was a dead silence. Poor Cecilia lay with all the use gone out of her. And there was dead silence. Till at last came the whisper:

"I didn't kill Henry. No, No! Henry, surely you can't blame me! I loved you, dearest. I only wanted to help you."

Vocabulary notes

· Explain the meaning of the following words and word combinations. Recall the situations from the story.