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M. Swedenborg


Date: 2015-10-07; view: 476.


1798 - 1832

the date is believed to be 1) the death of Walter Scott (poet &writer)

the beginning of romanticism 2) the 1st Reform Bill (issued by the British

“Lyrical ballads”Parliament which shows the changing

W. Wordsworthpriorities, a different set of interest)

S.T. Coleridge(later -> Victorian Era)

 

 

Predecessors of romanticism:

- ‘Elegy written in a country churchyard' T. Gray (the mood of melancholy; the speaker is lost in his feelings)

- James Macpherson “Poems of Ossion' ( a Scottish bard; moors, nostalgia, melancholy)

- Sentimental novel

- Gothic fiction

 

The term ‘romanticism' (at the end of XIX)

– name didn't appear while this époque last but when it was just finished

- primacy of emotions, feelings, sentiments

 

*Reaction to Age of Reason à not violent nor rebellious; gradual revolution; not as in Poland

*A. Popeà an idol for many romantic poets

 

 

KEY CONCEPTS FOR ROMANTICISM

1) feeling

2) individuality

(àa philosophical doctrine promoting rights of a human being)

 

Romantics had different attitude to art and the form of poems

 

3) different concept of nature

Pope:

- nature is mechanistic, static

- nature is the perfect organism, a clock, everything fits, a stable system, the role of a human being is to find the right place and stay there

 

~ people do not interfere into nature; they do not introduce anything new

~ nature is a sufficient organism; people are a part of it

~ the image of nature: it's not perfect or controlled; it's the mirror of human soul

 

* individuality- consciousness of being individual (what differs us from animals)

* letters, autobiographies, confessions, thoughts

* many works that can't be classified to a special type (sonnet, poem)

* for the romantics rules doesn't matter

* vision, spontaneity, feeling, emotions

* nature is static, mechanistic, a person has to find a place while a whole nature create one “machine”, sufficient organism

* leave nature to its own devices

 

SPECIFIC KIND OF A CHARACTER /HERO

à BYRONIC/ROMANTIC HERO

(Giaur) (comes from Germanic literature <Werther> prototype of rom. hero)

 

*leads life of comfort and ease

intelligent charming lack of motivation, no specific priorities and desires

to be happy but is not

- unhappy love

- intellectual mood

- desperate thinking

- nostalgia

 

Wertherà no compromises with facing obstacles; he'll never adjust; capitulation (often suicide in

the end)

à desperate, incessant and undirected journeyingà looking for the sense of life

à he cannot live in reality and cannot change

 

WYKŁAD 2

 

Most poets- men (women were active rather in poetry)

 

WILLIAM BLAKE

*individual of individuals

*1757-1827

* pre-romantic or 1st of the 1st romantics

* a poet, an engraver (a painter)

* a mystic and visionary

 

MYSTICISM

*an experience of visions (religious mostly) which connect us with the great world beyond life

(intuition, illuminations)

* the doctrine (divine intuition)

 

Mystics:


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