Weeping

Date: 2015-10-07; view: 493.

Motifs

The Inherent Oppressiveness of Marriage

Chopin suggests that all marriages, even the kindest ones, are inherently oppressive. Louise, who readily admits that her husband was kind and loving, nonetheless feels joy when she believes that he has died. Her reaction doesn't suggest any malice, and Louise knows that she'll cry at Brently's funeral. However, despite the love between husband and wife, Louise views Brently's death as a release from oppression. She never names a specific way in which Brently oppressed her, hinting instead that marriage in general stifles both women and men. She even seems to suggest that she oppressed Brently just as much as he oppressed her. Louise's epiphany in which these thoughts parade through her mind reveals the inherent oppressiveness of all marriages, which by their nature rob people of their independence.

Louise's weeping about Brently's death highlight the dichotomy between sorrow and happiness. Louise cries or thinks about crying for about three-quarters of “The Story of an Hour,” stopping only when she thinks of her new freedom. Crying is part of her life with Brently, but it will presumably be absent from her life as an independent woman. At the beginning of the story, Louise sobs dramatically when she learns that Brently is dead, enduring a “storm of grief.” She continues weeping when she is alone in her room, although the crying now is unconscious, more a physical reflex than anything spurred by emotion. She imagines herself crying over Brently's dead body. Once the funeral is over in her fantasies, however, there is no further mention of crying because she's consumed with happiness.