Film Sound Designer
Date: 2015-10-07; view: 373.
Exercise 60. Read the article
Exercise 59. Translate into English.
- К сожалению, этот оператор не умеет работать с цифровым оборудованием.
- Наш оператор никогда не снимает чёрно-белые фильмы.
- Для киносъёмки существует множество различных форматов.
- Наш оператор не понимает, почему режиссёр не просматривает материал, отснятый за день.
- Вы записываете диалоги во время съёмочного периода, да?
- Наш оператор рекомендует использовать стедикам для съёмки некоторых эпизодов.
- Он обладает великолепными техническими навыками. Кроме этого, он человек гибкий и умеет сотрудничать с людьми.
- Сколько нам нужно нанять технических работников?
- Сосредоточьтесь на том, что действительно имеет значение.
- Широкоэкранный формат сейчас не очень популярен.
- Над каким проектом Вы сейчас работаете? – Мы сейчас не снимаем. У нас подготовительный период. Оператор изучает новую технику съемки, а сценаристы дорабатывают сценарий.
- Когда Вы планируете начать съёмку? – Пока никто не знает: наш оператор-постановщик ищет натуру, а режиссёр делает раскадровку.
Discuss the following questions:
- Are silent films really silent?
- How is sound important to you?
- Do you love any film sountracks? Do you listen to them?
| Sound designer is the person who is responsible forthe art of the sound.He is a creative technician and an artist. Sound designers work with dialogue, sound effects, foley, and their job is very important for a movie or any other multimedia project. In filmmaking a sound designer is a film crew member, and he is responsible for all the aspects of the movie soundtrack. The industry both inside and outside Hollywood demands more and more sophisticated soundtracks. So sound designers work with a team in order to make a complete sound job. Needless to say sound designers should be very creative. |
Depending on the size and type of production, a sound designer may have many different jobs, including communicating with the creative team, recording or finding sound effects, creating a soundtrack, or looking for new projects. In film, sound designers may work throughout the pre-production period, during the production schedule and in post-production.
One of the most important jobs of a sound designer is to communicate with directors or producers about the soundtrack. In film, TV, or commercial production, the designer may come on after shooting is completed in order to determine where and when sound effects are needed, based on the on-set recordings and the director's vision. Working with the creative team allows the designer to create a finished product that reflects the atmosphere of the production and helps the film communicate ideas through sound.
After an initial period of meetings, the designer may begin to hunt for the right effects for each episode. He can look through sound libraries for appropriate effects, or even record effects to match a particular sound. Depending on the size of the project, the sound designer may do this task alone, or may have assistants and technicians that can manage some of the work.
When the sound track is ready, the sound designer may be responsible for the final sound mix for the finished product. For film or TV productions, this may mean using advanced computer software to create a blended soundtrack that incorporates dialogue, effects, and music. Then the designer works almost like an orchestra conductor to ensure that the mix of sound is balanced and nuanced correctly. On large productions, the process of creating the final mix may actually be the work of several sound professionals, including mixers, editors, and supervisors.
Most sound designers are freelance professionals, which means that a large part of their day-to-day work may involve searching for new projects. Freelance designers need to have basic advertising skills, as well as good communication skills, in order to attract new clients and find new jobs.
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| Exercise 58. Complete the gaps using the words from the article. | | |